Dienstag, 12. Juni 2007
Laura Carlin's watercolour images are beautiful, they are really inspiring for me. I have recently been doing alot of watercolour work so can appreciate the skil involved. The images are rally fresh and satisfying!
Laura Carlin is a Royal College of Art graduate of 2004 and has had work with a variety of people including British Airways, Te Guardian, The New York Times, Christian Aid and Walker Books, "The Silver Donkey".
Whilst studying for her MA, Laura won several awards including the Shelia Robinson Drawing Prize, the Quentin Blake Award two years running, and the 2004 National Magazine Award.
Samstag, 9. Juni 2007
Paper cut outs and fine drawn line with a naive quality. He has an extroadinary range of drawing techniques.Really beautiful, mysterious images some seem quite fantastical!
Traditional folk art and the art of the insane inspires his work and a fascination with music and musicians, especially of the jazz variety.
He works as both a fine artist and illustrator.
He was born in 1963 Stockholm and still lives there today, you can clearly see the Swedish influence on is work.
Freitag, 8. Juni 2007
Henrik Drescher is someone who I find really inspiring. He is both conceptual and aesthetic. He is a great draughtsman and a fantastic imagination. He was born in Copenhagen and then moved to America, where he studied at the Museum of Fine Arts in Boston and then began his career as an lllustrator.
Drescher’s editorial illustrations appear regularly in The New York Times, The Washington Post, Newsweek, Time, and Rolling Stone. He has also written and illustrated several books, including books for children.
One of my favourite books is Postal Sceance, a book with an unusual concept...the idea is to send postcards (he made) to dead famous people such as William Blake and Joseph Beuys etc. He then records if they have been delivered or not delivered ie. if they have been delivered he understands that they have recieved the postcard (hence the name Postal Sceance!).
I really like his drawings, they are really fresh and lively. They seem very fluid.
I love the way he mixes found and drawn imagery.
Henrik refers to his work as a "junkyard of the imagination." He works in sketchbooks and notebooks which he uses both as professional source books and personal diaries. In these he picks through new ideas, used motifs, and discarded thoughts.